Here's where to find the film news & reviews
concerning Melanie Lynskey as it breaks.
Mel makes Clint's day
Another film project has appeared on Lynskey's IMDB listing,
'Flag Of Our Fathers', Clint Eastwood's latest directorial effort. It is currently nearly halfway through production. As to
what part she plays, I don't have that information, but as soon as it becomes available, I will put it on this page.
Melanie's next role
According to IMDB, Melanie Lynskey is about to begin work
on her latest movie project, called 'Park'. It is another independent film, however, and it doesn't look as if she will have
the lead role, which dashes any immediate hopes of her landing the lead in a major Hollywood production, something that should
have happened three years ago.
10th June 2005
New Zealand - JY&A Media -
Brittny Gastineau, Melanie Lynskey, Jennifer
Siebel, Margaret Hema, Patrick Steel, Eva Longoria—even Audrey Hepburn and Dodi Al Fayed—pack out Lucire’s
June 2005 number
Wellington and Auckland, June 4 (JY&A Media) - LAWFUEL - The Law News Network - Lucire, the only
New Zealand fashion magazine to be publishing in two countries, has called upon its contacts in Hollywood's celebrity circles
for its June 2005 issue. The issue is expected to bring stronger recognition to the New Zealand title globally. 'When
you're the only fashion magazine exporting on this scale, you have to have standards that exceed those of titles such as Vogue
and Elle,' said publisher Jack Yan. 'For all those who think that New Zealanders cannot get international celebrities
without buying stories from overseas, we ask them to think again.' Cover girl Brittny Gastineau from E! Entertainment
Television and Sky TV's The Gastineau Girls, Melanie Lynskey from TV2's Two and a Half Men and actress Jennifer Siebel, newly
returned from Cannes, are three of the celebrities covered in depth in the latest issue of Lucire. The Cannes Film Festival
(along with Samuel L. Jackson, Eva Longoria, Laetitia Casta and Maria Bello) also makes an appearance in the magazine's 'The
Scene' pages, thanks to its official make-up supplier, L'Oréal Paris. Mr Yan interviews Margaret Hema, facialist to the
stars, including Liv Tyler and Saffron Aldridge. 'Since the November 2004 issue we've heard that people such as Richard
Clayderman and Randy Jackson have been flicking through Lucire,' said Nicola Brockie, editor-in-chief of Lucire. 'However,
we've resisted calling on some of our celebrity friends till now. 'We didn't want to alienate New Zealand consumers with
a magazine that seemed too distant. We needed readers to trust us first. 'When we were to do celebrity stories, they would
know that we would do them with the same grace and dignity as the rest of the magazine. That way, there's no speculation,
no idle gossip. What we print is fact.’ Miss Brockie relays some incidents that happened during her time working
with Dodi Al Fayed, toward the end of his life, in her editorial. She says that Lucire's third celebrity cover this year
does set a precedent, and promises more for the remainder of 2005. The July cover girl has already been chosen, she says.
'It proves that when we got Vanessa Carlton for our own shoot in February, it wasn't a fluke. It was due to the persistence
of our fashion director Brad Batory and our director of beauty Jessica Tarazi.' Inside the June issue, Patrick Steel has
styled another grand shoot, this time at Auckland's historical Railway Station. June sees the return of Amanda Dorcil
behind the lens, as well as Jon Moe, who shot Miss Gastineau with the make-up and styling skills of Ms Tarazi and Mr Batory.
Janet Liu's shoot, styled by Penny Barnett, has taken place in Martinborough, New Zealand, recalling the Katharine Hepburn
independence of the 1940s. Meanwhile, Fred Ramirez's shoot with creative director and make-up artist Candace Corey visits
the life of a modern star. Stories on Insidious Fix, New York's up-and-coming shoe designers by Désirée Gallas, and travelling
in Cinque Terre by David Machowski also feature. Features' editor Phillip D. Johnson has been working the New York scene with
a report from the Fragrance Foundation's FiFi Awards. Melissa Hellstern, author of How to Be Lovely: the Audrey Hepburn
Way of Life, which examines Audrey Hepburn's sense of self and style, also contributes. In the tradition of the magazine's
grand prizes that have ranged from a Tahitian holiday to a new 2005½ Suzuki Swift, BoConcept is giving away a $3,500 king-size
bed. Given how packed the issue is, Lucire's men's supplement has been postponed.
Kiwis roll up to be part of Oscar circus
28 February 2005
By TOM FITZSIMONS
Last year, a shaggy-haired Wellingtonian called Peter Jackson
carried off a swag of them. This year, a younger and closer-cropped contender will be hoping for just one.
That's right, it's Oscar time and once again New Zealanders are
in with a chance at the greatest entertainment show on earth.
Come 2pm this afternoon (NZT), Taika Waititi will be strolling
down the red carpet, thanks to his film Two Cars, One Night, nominated in the best short film, live action category.
Also nominated are Joe Letteri of Weta Digital for visual effects
work on I, Robot and director Andrew Adamson for animated film Shrek 2.
The famous Oscar party season was in full swing last night, with
a special function to bring together the New Zealand community. In attendance were Waititi and girlfriend
Loren Horsley, as well as Two Cars producer Ainsley Gardiner, and other New
Zealand actors Sam Neill, Melanie Lynskey and Rena Owen.
The New Zealand
theme is not exactly waning in the rest of Hollywood, either.
A slice of New Zealand will be included
in the gift bags of many of the big stars, including those of Clint Eastwood, Hilary Swank, Cate Blanchett and Jamie Foxx.
Vouchers for a one or two-day stay at the luxury retreat Peppers
on the Point at Lake Rotorua will be presented to all nominees and winners in the best actor, best actress, best supporting
actor, best supporting actress and best director categories.
Meanwhile, Hollywood types unable
to get tickets to the Oscars had the alternative of a US$25,000 (NZ$35,000) table for 10 with a special screening of the awards.
And on the menu? New Zealand sea bass
and rack of lamb.
Best and worst flicks of 2004
05 January 2005
Film reviewers Margaret
Agnew and James Croot wrap up the best - and worst - film offerings for 2004.
Top 10 (in no particular order):
Eternal Sunshine of the Spotless Mind Joel
(played by Jim Carrey) is a sad case - reserved, introverted and lonely, until he meets the luminous, quixotic Clementine
(an amusing Kate Winslet). However, two years later, when their relationship turns sour, Joel is shocked to discover Clementine
has had her memories of their tumultuous time together erased. Distraught that she no longer knows who he is, Joel decides
to have the same ground-breaking procedure. Director Michel Gondry and scriptwriter Charlie Kaufman made this a witty, reality-bending
journey through one man's backward, geometric trip to rediscover his true love. If you're not usually a Carrey fan, you will
be, after his heartfelt portrayal of a man revelling in both love and torment.
Dogville Essentially a reinvention
of Thornton Wilder's seminal 1938 American play Our Town, Dogville is a wildly inventive, fascinating cinematic experiment.
Using many of Wilder's techniques, including a narrator and minimal props, director Lars von Trier lets fly on the duplicity
of human nature, with a script laced with acerbic wit. While the spartan set will alienate some, it provides the perfect backdrop
for an impressive cast, including Nicole Kidman and Lauren Bacall, to present an acting masterclass.
Bon Voyage In this complex political
drama, tense thriller and delightful black comedy all rolled into one, director Jean Paul Rappeneau brings to life a heady
mix of sweeping epic and intimate drama. What lifts Bon Voyage to compelling viewing territory is an eminently watchable and
uniformly "magnifique" cast, including Isabelle Adjani, Virginie Ledoyen and a streamlined Gerard Depardieu. Smart, sassy
and simply superb, Bon Voyage is a modern French masterpiece.
Spellbound Cephalalgia, nephelognosy,
cabotinage - these are all words I couldn't spell before seeing this film, but many American children can spell them, and
do, in the annual national Spelling Bee. Spellbound is simply spellbinding. Who would have thought a documentary about spelling
could be so captivating? One of the few non-political documentaries of the year, Spellbound was also one of the best.
The Incredibles Pixar's latest computer-generated
triumph just managed to slip into the year's top 10. A more mature and satisfying work than Pixar's usual child-oriented films,
The Incredibles features an ageing, forcibly retired superhero, Mr Incredible, and his quest to reclaim past glory. There's
plenty here to captivate the kids and their parents. I especially enjoyed director Brad (The Iron Giant) Bird's stunning attention
to detail in creating an early 1960s-style future and his obvious glee in twisting superhero lore.
Touching The Void I'm no mountain climber,
and after watching this nerve-wrenching documentary, I'm unlikely to ever become one. The film chosen to open the Christchurch
International Film Festival this year, Touching the Void is the true story of British mountaineers Joe Simpson and Simon Yates,
re-enacted in gritty detail on the big screen. A must- see for any thrillseeker - whether of the mountaineering or armchair
variety.
The Station Agent By avoiding the usual
cliches The Station Agent became an unlikely hit. Finbar McBride (Peter Dinklage) is a trainspotter. He would like to be left
alone, but that's difficult when you're a dwarf. When his friend dies, Fin inherits a train depot in the middle of nowhere.
However, his newfound home has too-friendly neighbours in Joe (Bobby Cannavale), who sells coffee in front of Fin's disused
depot, and artist Olivia (Patricia Clarkson). Like station agents of old, Fin finds himself drawn into the lives of the people
around him, just as the audience becomes emotionally involved with the characters. This is a charming film of quietly touching
moments. The fact that The Station Agent was writer-director Tom McCarthy's film debut makes it all the more impressive.
Japanese Story Winner of eight Australian
Film Institute Awards, Japanese Story is an utterly compelling drama of contrasts. The real star of this film is Toni Collette.
With her hair bleached blonde, she gives a career-best performance in a role written especially for her. Japanese Story is
an emotional rollercoaster of a movie that rivals Lantana as the best Australian drama of the century so far.
Shattered Glass Based on a Pulitzer-
Prize-winning Vanity Fair article, Shattered Glass evokes memories of All the President's Men and The Insider. Writer-director
Billy Ray has crafted a rare, taut psychological thriller that treats its audience as adults and provides a showcase for a
superb cast, including Hayden Christensen, Peter Sarsgaard, Hank Azaria and New Zealand's own Melanie Lynskey. Proof that
Hollywood still can make riveting "true story" dramas even by sticking to the facts.
The Village Unlike many Hollywood thrillers,
The Village is not a twist in search of a movie. Instead, it is an expertly crafted film and director M. Night Shyamalan's
most mature movie to date. He has an uncanny ability to establish an atmosphere, create engaging characters, tug at emotions
and keep at least some of the audience guessing until the final frames - no mean feat in today's dumbed-down approach to filmmaking.
Worst film:
Soul Plane Although billed as an urban
update of the 1980 comedy classic, Flying High (aka Airplane!), Soul Plane is a soulless, humour-free zone. Director Jessy
Terrero rarely seems to be in control of this turbulent, shambolic mess, with too many leering shots of female posteriors
and cleavages marking time between the sparse gags. Any film where Tom Arnold gets top billing deserves a wide berth but,
incredibly, he's not the worst actor on show.
Other favourites: Best
New Zealand film: In My Father's Den Honourable mention: Tongan Ninja Best date movie: Before Sunset
Worst date movie: Irreversible Best horror/thriller: Saw Best blockbuster: Shrek 2/Spider
Man 2 Best independent film: Garden State Best Asian film: Hero/Together (Hei ni zai yi qi) Best
guilty pleasure: Bad Santa Biggest disappointments: The Chronicles of Riddick, Gothika Best tearjerker:
In America Best kids' film: Harry Potter and the Prisoner of Azkaban (Shrek 2 wasn't really for kids, was it?)
Best sequel: Kill Bill: Vol. 2
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